Toolroom Academy Infinite

Description

paragraph: Infinite is a unique multi-effect plugin, that speeds up and improves your workflow with killer pre-designed transitional EFX and delays.

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paragraph: Designed by Mark Knight and James F Reynolds, this one-of-a-kind plugin will help you create world-class moments in your music.

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heading: SIMPLE. BUT POWERFUL.,
paragraph: One Knob. Huge impact.

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paragraph: Save yourself hours of laboriously tweaking individual paramaters over and over again, balancing reverbs, delays, saturation, white noise, filtering, width and other modulations.

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paragraph: Instead, simply dial up your favourite preset, turn the dial, and hear the immediate, dramatic impact on your transitions.

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paragraph: All of the presets are creative, practical, and actually usable. Why? Because we went through some of Toolroom’s most anthemic releases and recreated the best breakdowns and build-ups.

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heading: INFINITE POSSIBILITIES,
paragraph: Want to dive in deeper? Flick the plugin over into complex mode, and get truly creative.

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paragraph: We know there are other plugins out there which speed up your workflow with transitions – but inherently they lock the producer out of the process, meaning you effectively sound like everybody else.

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paragraph: And this is why our plugin is called Infinite. Tweak the different parameters at a granular, detailed level, using the plugin’s powerful macro system. Attune the 8 world-class effects algorithms to craft your own unique sound.

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paragraph: You can then save your effect chain, so it can then be recalled and quickly used on the one knob simple interface. Infinite looks deceivingly simple, but there’s a lot going on under the hood.

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heading: WORLD-CLASS EFX,
list: DELAY – Create your own repeating patterns that loop on and on. The digital delay offers infinite rhythmic possibilities, allowing you to set your own speed., CRUNCH – Add colour to your tracks using the different saturation circuits, which are expertly modelled to allow you to add flavour and character to your most interesting moments., LFO – Add movement and modulation to your track using the LFO., REVERB – The reverb unit is modelled on a ‘hall’ and will allow you to space out and diffuse your transitions. The reverb can be made as transparent or as colourful as you like., WHITE NOISE – Increase the tension using the white noise knob to hype up the crowd and deliver a satisfying pay off., FILTER – Utilise a -24dB/Oct hi-pass and low-pass filter section to make space in anticipation of the drop., FORMANT – Add drama to your build-ups using the formant filter., WIDTH – Create dimensional EFX using the width parameter.