u-He MFM2

Description

paragraph: MFM2 is our over-the-top digital delay plug-in. You can create anything from subtle textured echos to huge spacey reverbs, from wild tonal steps on a pad to rhythmic deconstruction of a drum track. As a regular delay MFM2 already offers as much control and inspiration as possible, while the advanced features in version 2.5 open up wider horizons. More feedback, more control, more inspiration!

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heading: MFM2.5 can do…,
list: Ping-pong and panning delays, Filtered and frequency-shifted delays, Chorus, flanger, resonator, Reverb, diffusion and ambience, Granular effects, Degrading & distorting delays, Ducked and compressed delays, Endless loops, Keyboard-controlled (tuned) comb filter, Massive glitch effects, Any combination of the above, …and much more,
paragraph: Creating new effects in MFM2 can be quite complex, depending on how deep you want to go! Below is a very brief introduction so you can get some idea of what awaits you as MFM2 tweaker…
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heading: 2 Input Processors,
paragraph: Input signals can be processed in pairs before being sent to the delay lines. The “Transient” controls suppress or boost spikes. The two non-resonant input filters can reduce the frequency range or even split the frequencies into two stereo bands with independent delay settings (set In 1+2 to Lowpass and In 3+4 to Highpass with the same Cutoff value).

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heading: 4 Delay Lines,
paragraph: Independent delay modes: synchronized, free, or even controlled by MIDI notes.

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paragraph: The dark field below each knob is a modulation source selector, and the amount of modulation is controlled by the “pip” which appears at the top right of the knob.

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heading: 4 Main Filters,
paragraph: Resonant filters can be placed in various positions within the signal path. On offer here: 2x low pass, 2x high pass, band pass, band reject, allpass (phaser).

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heading: The Feedback Matrix,
paragraph: This is where you can specify how the delay lines feed into each other: The “User Matrix” option lets you freely route signals between all 4 delay lines.

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paragraph: The large control at the top adjusts the overall amount of feedback. At the bottom of the panel are the output level controls, allowing for normal and inverted polarity.

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heading: 2 Effects,
paragraph: Pre-feedback processing. On offer here: limiter, bit crusher, phaser, frequency shifter, lowpass/highpass filter, granular pitch shifter, diffusor (reverb-ish).

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heading: 2 Compressors,
paragraph: The final polish! Peak or RMS mode compression. In PeakComp mode you can compress one pair of channels using a sidechain from the other.