Waves Jack Joseph Puig Signature Series

Description

paragraph: Grammy® winner Jack Joseph Puig knows how to bring out the best in vocals, drums, cymbals, percussion, strings, keyboards, bass, and guitars. These custom multi-effects chains let you apply JJP’s personal palette of extraordinary tones and colors to the most crucial instruments in any mix.

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paragraph: By working with artists in all genres—from Beck to Sheryl Crow, Keith Urban to Lady Gaga, Mary J. Blige to Green Day—JJP has built versatility for every genre into these innovative, focused plugins.

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heading: Add “Feel” with Vocals,
paragraph: JJP Vocals is the first plug-in designed to enhance vocal “feel.” It incorporates powerful parallel processing for male and female vocals, with novel dynamics effects, compression, vocal-optimized equalization, and delay.

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heading: A Novel Alternative to Amp Sims,
paragraph: Amp sims are great for grandiose amp sounds, but JJP Guitars provides exactly what’s needed for country, R&B, reggae, folk, acoustic, funk, Afropop, Americana, and other forms of music that favor cleaner guitar sounds.

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heading: Anchor the Low End with Authority,
paragraph: Whether for DI, synth, or amplified bass, JJP Bass is about finding the perfect bass color for any musical context. Fatten, drive, or sweeten the bass’s core character, whether for hip-hop, EDM, rock, or jazz.

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heading: Commanding, Pro-Level Drums,
paragraph: With separate optimizations for kick close or far (with subharmonic synthesis), snare top or bottom, and toms, JJP Drums’ delivers powerful kicks, big snares, and round toms for acoustic, sampled, or synthesized drums.

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heading: Cymbals and Percussion Redefined,
paragraph: Finally—there’s a plugin that shines a sonic spotlight on hi-hat, overheads, room mics, tambourine, shaker, and loops. JJP Cymbals & Percussion’s brilliant parallel processing dynamically enhances how they sit in a mix.

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heading: Mix Reality into Synths and Samplers,
paragraph: JJP Strings & Keys’ multiple effects layers bring out the zing of a bow, the pluck of a harp, and give an almost physical presence to synthesized sounds—without overpowering the instrument’s inherent character.